Yamaha
Yamaha MG10 Mixer

Yamaha MG10 Mixer

1
Mixer Without Effects

ID: ZMYASEMM03030002

207 €

In stock

Estimated delivery: 18 to 19 June

We deliver to: United Kingdom

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Yamaha MG10

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Features
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10-Channel Mixing Console
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Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)
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1 Stereo Bus
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1 AUX
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“D-PRE” mic preamps with an inverted Darlington circuit
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1-Knob compressors
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PAD switch on mono inputs
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+48V phantom power
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XLR balanced outputs
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Metal chassis
About
Yamaha MG10 Mixer
D-PRE (Discrete Class-A Mic Preamps)
D-PRE (Discrete Class-A Mic Preamps)

This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp
High Quality Sound Op-amp

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch
Switchable Phantom Power & PAD Switch

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

Our mixer. Your sound.
Our mixer. Your sound.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

A variety of input / output connectors
A variety of input / output connectors

All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 / 10XU / 10XUF / 12XUK) The function of another two stereo channel vary depending on model: With MG20 / 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 / 12XU and MG16 / 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 / 10XU / 10XUF and MG12XUK are equipped with additional stereo channel with a pair of phone jack that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L/R, TRS phone L/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX/FX OUT (TRS phone), MONITOR OUT (TRS phone L/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.

Built to last
Built to last

For gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.

Metal Chassis
Metal Chassis

Built to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.

Specifications
Yamaha MG10 Mixer
Outline
Alimentação de 48V. Essencial para certos microphones, e outros equipamentos que necessitem de uma fonte de alimentação externa.
Phantom Power
+48 V
Entradas de áudio (mono) de microfone ou linha, destinadas a microfones e/ou instrumentos.
Mono[MIC/LINE]
4
Entradas de áudio (estéreo) de microfone ou linha, destinadas a microfones e/ou instrumentos.
Mono/Stereo [MIC/LINE]
-
Entrada de sinal Estéreo.
Stereo (LINE)
3
Indica os tipos de saídas para o modo estéreo.
Stereo Output
2
Saída de áudio para efeito de monição (retorno do som para os músicos em palco).
Monitor OUT
1
Ficha de saída para auscultadores.
Phones
1
Saída auxiliar para além da saída principal. Útil para efeito de monição. (retorno do som para os músicos em palco).
AUX SEND
1
Saída de vários sinais de áudio agrupados.
GROUP OUT
-
Canal destinado à transformação do sinal áudio através da passagem por ele, ou ao agrupamento de sinais para organização e não sobrecarregar as faixas individuais.
Bus
Stereo: 1, AUX: 1
Indica a presença ou ausência de função de pad(dispositivo de atenuação passiva) e qual o valor(dB) que essa funcionalidade atenua. Tipicamente encontrado perto da entrada de microfones em mesas de mistura, os pads servem para atenuar (reduzir) o sinal de
Pad
26 dB (Mono)
Filtro passa-alto - Atenua frequências de som mais graves realçando as frequências mais agudas.
HPF
80 Hz, 12 dB/oct (Mono)
Compressão. Compressão sonora é o artefacto utilizado para diminuir as exigências intrínsecas à transmissão (largura de banda) ou armazenamento (espaço físico) do som.
Compression
1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msec
Equalização de frequências agudas. EQ (ou Equalização) é o corte ou o aumento de uma determinada frequência (ou faixa de frequências) no espetro de frequência.
EQ HIGH
Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
Equalização de frequências médias. EQ (ou Equalização) é o corte ou o aumento de uma determinada frequência (ou faixa de frequências) no espetro de frequência.
EQ MID
Gain: +15 dB/-15 dB, Frequency: 2.5kHz peaking
Equalização de frequências graves. EQ (ou Equalização) é o corte ou o aumento de uma determinada frequência (ou faixa de frequências) no espetro de frequência.
EQ LOW
Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
LED de pico. Sinal luminoso que indica que o sinal está a atingir um pico de sobrecarga.
Peak LED
LED turns on when post EQ signal reaches 3 dB below clipping
Medidor de nível. Gráfico, por norma luminoso, de níveis de áudio em tempo real.
Level Meter
2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB]
General Specifications
Total Harmonic Distortion (THD)
0.02 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +24dBu (1kHz), GAIN knob: Min
O alcance e a resposta de frequências do equipamento (medido em Hz).
Frequency Response
+0.5 dB/-1.0 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Equivalent Input Noise
-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
O ruído residual cancela o efeito de fontes de ruído externas, como fontes de alimentação. É por norma medido em dBu.
Residual Output Noise
-102 dBu (STEREO OUT, STEREO LEVEL knob: Min)
Indica as informações sobre Crosstalk da saída de áudio do instrumento.
Crosstalk
-83 dB
Indica/descreve a alimentação necessária para um pedal ou outro dispositivo, amplificador, etc.
Power Requirements
PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha
Indica o consumo elétrico do teclado, pedal ou outro dispositivo.
Power Consumption
22.9 W
Indica a medida da largura do artigo.
Width
244 mm (9.6")
Indica a medida da altura do artigo. (Por vezes indica o ângulo de projeção de som na horizontal.)
Height
71 mm (2.8")
Indica a medida da profundidade do artigo.
Depth
294 mm (11.6")
Peso efetivo (real) do artigo.
Net Weight
1.9 kg (4.19 lbs.)
Information concerning the accessories included at the time of purchase: AC adaptor, (guitar) picks, tuner, user manual or others.
Accessories
Included Accessory: AC Adaptor, Owner’s Manual, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A
Outras informações sobre o produto.
Others
Operating Temperature: 0 to +40˚C

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