At the heart of every sound is opsix mk II’s Operator Mixer – a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators.

Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix mk II so unique, just like the sounds it offers.

Whether you’re tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analog-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There’s even a built-in spectrum analyzer and oscilloscope that gives you visual feedback via the screen on the music you’re making.

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix mk II uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.

Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.

Analog-style controls and plenty of stackable waveforms take you from digital to analog-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Last but certainly not least, opsix’s highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the ‘80s on through today, and with far more polyphony than other standalone FM synths available today.