Strymon Flint V2 Guitar Pedal Reverb/Tremolo

Flint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms.

On the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb.

With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads.

Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format.

LIMITLESS POSSIBILITIES. Our new generation of Flint features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP/MIDI jack or USB-C connection.

Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings. Remotely bypass or engage the pedal, sync tremolo speed changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist - the possibilities with MIDI are limitless.

ANALOG TOUCH. Uncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Flint feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.

CHOOSE YOUR BYPASS MODE. Flint lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.

MOVING IN STEREO. No need to make compromises when it comes to signal routing or pedal placement - Flint features full stereo in/out capabilities. A single TRS input jack allows Flint to keep its compact form factor while giving you the option to use a stereo input signal.

A dedicated rear panel Input switch allows you to easily set Flint for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Flint as a stereo effect.

ON ANOTHER LEVEL. Pedals aren’t just for guitarists. Flint’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.

By setting Flint to line level input mode, you get 10dB of added headroom, allowing you to use Flint with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.

POWER TO THE PEDAL. Significant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.

TURN UP THE VOLUME. We all need a lift every once in a while. Flint features two dedicated +/-3dB boost/cut secondary functions, one for each side of Flint. This lets you add a little extra “oomph” when needed, or to dial things back a bit.

The tremolo boost/cut ensures you can get the level you want with any tremolo depth and speed settings. The reverb boost/cut is useful for setting a solo boost when engaging the verb, or reducing level when using huge ambient pads.